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Description

This volume offers critical insights into contemporary mass-market entertainment across various geographical and cultural contexts, blending theoretical reflections with empirical case studies.


The contributors examine cultural phenomena and objects from both Western and non-Western perspectives, analyzing representations, production, and consumption practices. By highlighting the interplay of identities, power dynamics, and digital transformations, this work deepens your understanding of entertainment as both a cultural phenomenon and an ideological apparatus. It emphasizes the need for ongoing critical engagement with mass-market entertainment in our rapidly changing world.


Contributors include: Stéfany Boisvert, Mélanie Bourdaa, Hélène Breda, Elena Cabanillas-Mallenco, Emek Çaylı, Omar Cerrillo Garnica, Vincenzo Cicchelli, Christiana Constantopoulou, Deepa Mary Francis, Aleena George, Charo Lacalle, Dimitra Laurence Larochelle, Céline Morin, Katharina Niemeyer, Eleonora Noia, Sylvie Octobre, Jimmyn Parc, Eléana Sanchez, Christine Thoër, Mónica Tovar-Vicente and Michele Varini.

Author Bios

Dimitra Laurence Larochelle is an Associate Professor at Université Sorbonne Nouvelle. She is the co-author of the book Video Mapping: Heritage in Lights (Video Mapping European Center Editions, 2023) and has written numerous articles in English, French, and Greek.

More Info

Publication date: July 1, 2026

Table of Contents

Acknowledgements ix


List of Figures and Tables x


Notes on Contributors xi


Introduction: Unpacking Global Trends and Critical Perspectives


in Mass-Market Entertainment 1


Dimitra Laurence Larochelle


Part 1: The Politics of Representation and Mass Market Entertainment


1 Media Representations of Gender: Lessons from Functionalism


to Postfeminism 17


Céline Morin


2 Fighting Rape Culture, One Episode at a Time: a Feminist (R)evolution


in the Depiction of Sexual Assault in Netflix Serialized


Teen Dramas 38


Hélène Breda


3 Old Prejudices in New Clothes: the Figure of “Witch” in Contemporary


Mythic Representations 67


Christiana Constantopoulou


4 Depiction of Fat Female Bodies: a Study of Malayalam Movies 81


Aleena George and Deepa Mary Francis


5 Imaginaries in a (Not So) Imaginary Land: the Representation of the


Body in the Virtual Environment


Challenges and Perspectives of Investigation 97


Eleonora Noia and Michele Varini


6 When the Belgian Artist Àngele Sings and Tells: Feminism and the


Anti-gender Representations behind Her Music Videos 117


Mónica Tovar-Vicente and Elena Cabanillas-Mallenco


7 Corridos tumbados: Shifting the Macho Style in Mexican


Regional Music 148


Omar Cerrillo Garnica


Part 2: Markets and Audiences in the Era of Globalization


8 The Personal Is Scientifical: the Case of the Centre for Contemporary


Cultural Studies (1964–1988) 177


Eléana Sanchez


9 Hallyu as an Aestheticized Global Pop Culture: a Monographic


Approach 199


Vincenzo Cicchelli and Sylvie Octobre


10 The Delusion of ‘Netflix Quota’ and ‘Netflix Tax’: What Do the


Experiences of Europe and Korea Tell Us? 221


Jimmyn Parc


11 Television in the Multi-platform Era: Challenges and Opportunities


Faced by the Audiovisual Industry and Its Audiences 239


Christine Thoër, Stéfany Boisvert and Katharina Niemeyer


12 Television Entertainment in Spain: the End of an Era and the Beginning


of a Post-pandemic Renewal 262


Charo Lacalle


13 The Individual vs. the Collective: Being a Fan in a Community


of Fans 278


Mélanie Bourdaa


14 Between Homeland and Hostland: Turkish Migrant Women’s


Engagement with Turkish and Swedish TV Series 299


Emek Çaylı


Concluding Remarks 322


Dimitra Laurence Larochelle


Appendix 1: Best Movies World Box Office 325


Appendix 2: 22 Best Fantasy TV Series of All Time 326


Appendix 3: Plots of Popular Fantasy Films 327


Appendix 4: Summaries of the Ten Most Popular Series’ Plots 334


Index of Names 339


Index of Subjects 343

Series

Part of the Historical Materialism series.